Auteurs: Nivedita Yohana (text) & Greg Suffanti (aquarelles and reflections)
Greg: “I am looking at Nivedita’s ideas about the tree as a metaphor for humanity, with the visible parts of trees representing our outer, superficial differences, and the unseen world of root systems expressing our similarities and interconnectedness. The nature of underground movements was also mentioned last week, and so in this first serie of aquarelles, Metaphors of Sameness and Underground Resistance I, I’m attempting to link both the secret, unseen world of resistance movements and their organic nature to the historical use of the tree as a symbol of life and humanity itself.
The politics of our current world are rapidly changing, and the West in particular is witnessing an unmistakable move towards Fascism. Fascism is defined by a far-right, authoritarian, and ultranationalist political ideology and movement, characterized by a dictatorial leader, or small group, centralized autocracy, militarism, and forcible suppression of opposition.”
The Unseen Bonds of Humanity…
In nature, trees stand as a testament to resilience, growth, and interconnectedness. Above ground, each tree presents its own unique characteristics: varying forms, sizes, and species, each adapted to thrive in its own environment. However, beneath the surface lies a hidden network that binds them together—their roots. These roots, often invisible to the naked eye, underscore a profound truth about existence: despite our apparent differences, we are all interconnected. This essay explores how the metaphor of tree roots reflects the concept of global citizenship, emphasizing our shared humanity amidst diverse cultures, beliefs, and backgrounds. I start with my own experience, followed by an exploration of the wisdom of the tree metaphor, after which I present some concluding remarks and give some ideas on how, from this perspective, we could develop global citizenship.

Aquarel Greg Suffanti
Greg: “In Metaphors of Sameness and Underground Resistance I I’ve chosen two symbols that are increasingly relevant and instructive for the resistance to Fascism that is already inexorably taking shape. In the center is the Kotwica, the Polish word for anchor. In 1942 the Polish Home Army established the Polish Underground State, whose mission was to fight against Fascism. The Kotwica, an anchor with a “P”, for Poland, was their symbol. Similarly, the letters U and R flank the left and right of the anchor, standing for Underground Resistance. The anchor and letters are part of the root systems of the trees, and the trees work in unison to create this composition. The trunks of the trees show that they are different species, however, their root systems are the same. I’ve chosen the color red to symbolize both the blood-like nature of roots, their metaphorical references to life/humanity, as well as participants in underground movements having to pay for their cause with their own blood.
I’ve played around with the idea of time and space by filling the composition with what looks like a receding grid, with the bottom half, with its black and red squares appearing to be some sort of game board. It’s not that underground movements are games, it’s that movements require planning and strategy. The grid portion of multiple colors suggests movement and time and the four seasons, for time is needed as well. The other reason for the grid is to link the natural processes of nature to the complicated and highly structured nature of these systems….. The suggestion here is also reinforced with the trees and their roots….. It’s also about interdependence.”
Living in two different continents
Living in two different continents has truly opened my eyes to how much we, as people, are the same despite the superficial differences that sometimes deludes us into believing that we are different. When I first moved, I expected the cultural contrasts to be vast and that I had encounter a completely different way of life. Sure, the food, language, and even customs varied, but as I spent more time in each place, I started noticing how universal our core experiences are.
No matter where you are, people love their families, work hard to build a better life, and search for joy in their day-to-day. We laugh, we cry, we celebrate, we struggle. I’ve seen different expressions of those things in each place, but the underlying core emotions — love, fear, hope, sadness — are shared by everyone.
Even though there are different languages and traditions, humans across the globe are often trying to solve the same problems, face similar challenges, and celebrate similar milestones. And when we talk, we realize that despite growing up in different environments, our values and desires often align in profound ways. Whether you’re in a bustling city or a remote village, there’s an undeniable truth: deep down, we all want connection and understanding, and to make a positive impact.
Living in two different continents has reminded me that beneath all the external differences, we’re much more alike than we often realize. Those differences only highlight the beauty of diversity, but they don’t change the fact that we all share this world together.
In a world full of variations, the roots of trees provide a moving metaphor for how intertwined all people are. It is important to keep in mind the unseen connections that exist under the surface, even though our differences may seem obvious from above.

Aquarel Greg Suffanti
Greg: “Metaphors of Sameness In the Three Realms, the Three Times and the Four Seasons II is my direct response to Nivedita’s essay. In this aquarelle I’ve divided the composition into six compartments. The middle tree in the composition serves to create a living connection to the following:
The three realms of the top, middle and bottom portions of the composition, which are the heavenly, earthly and underworld realms.
The three times of the of top, middle and bottom sections of the composition, representing the past, present and future.
The four seasons, starting from the bottom right block, which represents spring (day). Above that is summer (at night), and to the left is fall, with the bottom left representing winter.
As Nivedita wrote, “interconnectedness fosters survival”, which is the whole point of my aquarelle….. Everything is interconnected…. Absolutely everything, at all times and in all of existence!
It is our (shared) strong connection to our ideas about right and wrong, our sense of (in)justice…. These are our underground roots, which are unseen, however, they are an interconnected network of life-giving systems that sustain our collective will to “nurture our roots of empathy”, as Nivedita so eloquently put it. To help the world understand that wereldburgerschap is part of shared humanity, and that demonizing whole segments of society is dangerous for us all. We need to do what we can to work against the hate and intolerance, to connect with our own basic nature, which is compassionate and empathic.”
Unseen connections exist under the surface
Under the soil’s surface, tree roots cross over and entwine in complex patterns. This network accomplishes both stabilising and feeding the tree through a shared exchange of resources like water and nutrients. Just as trees rely on their root systems, humans too are supported and nourished by their connections to one another. In societies across the globe, individuals often come from diverse cultural, religious, and ethnic backgrounds, creating a complex tapestry of human experience. Despite these differences, we share fundamental needs and aspirations: the desire for love, security, and a sense of belonging.
Boundaries have been removed by communication and technology in today’s globalised world, unprecedented interaction among diverse populations. Social media platforms, international travel, and collaborative projects make it easier than ever to connect with others from different parts of the world. Yet, this interconnectedness can sometimes be overshadowed by misunderstandings, conflicts, and prejudices that arise from our differences. Similar to how a forest’s density can overshadow roots, societal divisions can mask the beauty of our common humanity.

Aquarel Greg Suffanti
Greg: “I painted Metaphors of Sameness III – The Tree of Life, wanting to allude to our shared historical roots, our interconnectedness …. Although the history of the Tree of Life knows many, many diverse cultural iterations, both religious and secular, the bottom line is that all the traditions are addressing the circle of life, and death, and the beyond.
I chose the pomegranate and the peach. I thought of an earlier aquarelle I’d done, The Four Seasons of Demeter and Persephone, and liked the mythological connection. In looking at different stories about the Tree of Life I ran across another (Chinese) myth about a magical peach tree that only offered its fruits once every three thousand years. I also like that both tress offer beautiful and nutritious fruits ….. They are different, however, they are both the same in terms of being a nutritious fruit! We humans may look different from one another, however, as Nivedita wrote, “We share the same needs and aspirations…. And the desire for love, security and a sense of belonging.” We truly are All the Same Inside! And we are all interconnected, just like the roots crossing over the imaginary boundaries in Metaphors of Sameness III – The Tree of Life!
Once again I chose the four seasons as a way to suggest that our interconnectedness transcends time. Starting on the bottom right is spring. Above is summer. To the left is fall, and the bottom left portion represents winter. I tried to connect the composition as well through color, choosing a palette that was harmonious and somewhat integrated….. Seasons flow into one another…. This natural flow is part of a natural cycle. I also wanted to make this aquarelle as pleasing as possible…… Because nature isn’t just powerful, it’s often very beautiful!
Between climate change (in)action, going against nature, and our crisis of conscience, threatening the basic laws of humanity, I’m so pleased to be a part of trying to turn the tide of hatred and intolerance into something better! What a very worthwhile moment to be continuing our efforts!”
Nevertheless, the roots of trees offer a powerful reminder of resilience in the face of adversity. They grow deeper and wider to find water, to support the tree in the face of harsh winds, or to connect with neighbouring trees. Similarly, as global citizens, we can learn to embrace our differences while remaining committed to nurturing our connections. Open communication, empathy, and education are essential resources that enable us to delve deeper into our common ideals. We can break down the barriers that separate us and develop a sense of belonging that knows no bounds by immersing ourselves in the experiences of others.
Moreover, nature demonstrates how interconnectedness fosters survival. In an ecosystem, trees and plants provide oxygen, shelter, and food for countless organisms. When rooted together, they create a thriving environment that supports biodiversity. Similarly, communities foster mutual growth and understanding when they unite, supporting one another while accepting their individual identities. Just as tree roots interlock to form a strong and sustainable system, the values of compassion and cooperation can help people come together around shared objectives and find solutions to global challenges like poverty, social injustice, and climate change.
It is also worth noting that the diversity above ground can serve as a strength rather than a weakness. Similar to how different tree species can survive harmoniously while benefiting their natural surroundings, cultural diversity offers human society a wealth of viewpoints. By encouraging creativity, innovation, and problem-solving, these differing points of view help us to successfully negotiate difficult global issues. We strengthen our ties and promote a sense of global citizenship by appreciating each culture’s worth and honouring our own contributions.
How to develop as global citizens
To build a prosperous world for present and future generations, we as global citizens must cultivate these foundations of compassion, understanding, and collaboration. By acknowledging our common humanity, we may develop as a group and turn our surroundings into a thriving ecosystem that depends on cooperation and support from one another. In the same way that trees support one another through their roots, so can we.
Incorporating the concept of global citizenship into our everyday lives and educational institutions/ workplaces can have a transforming and rewarding effect. Similar to a tree’s roots, the following real-world examples can assist in reminding us the value of empathy and oneness:
Global Issue Discussions
• Project-Based Learning: Design projects that require people to research and present on global issues, cultures, or international collaborations, encouraging teamwork and broader thinking.
• Collaborate with NGO’s: Partner with local non-profits that focus on global citizenship themes to engage people from different backgrounds in meaningful service and learning experiences.
• Empathy Building Exercises: Incorporate role-playing or storytelling sessions where people can explore different perspectives and learn to walk in someone else’s shoes.
• Mindfulness and Reflection: Integrate practices that encourage people to reflect on their thoughts, feelings, and actions towards others, fostering a compassionate mindset.

Aquarel Greg Suffanti
Greg: “It is my look at the interconnectedness that characterizes all of existence, and here, a direct reference to our human lot. Pando is Latin, meaning “I spread”. The Pando is a Quaking Aspen, whose roots span 42.8 hectares, and is thought to be 14,000-16,000 years old. It is a male clonal organism, and like Redwoods, they reproduce via cloning. Individual Aspen trees live for 100-130 years. Genetically identical stems replace dead ones in a process called “suckering”.
Former First Lady of California, Maria Shriver, said that:
“Pando means I belong to you,
You belong to me,
We belong to each other.”
My aquarelle is a homage to Pando and to our own interconnectedness. I called it part two, because I wasn’t happy with the earlier aquarelle that I’d done for Nivedita’s article…. In my opinion, Metaphors of Sameness in the Three Realms, the Three Times and the Four Seasons just didn’t capture Nivedita’s ideas about interconnectedness and our human condition. Pando does, and the one root “mother” also makes it a sort of Tree of Life! And a lesson also in dependency!
Finally, this process of suckering makes me think of our own world (especially in this moment) and any movement against injustice…. When people have been wronged, they may die, but, they will always be replaced by others who will fight against wrongs and struggle to achieve balance and harmony once again. You can’t kill off the basic human desire for justice and democracy…”
Further Reading
Play and Dialogue creates a practice for playing wisdom in the cosmopolis, as Heidi Muijen describes in her book “Amor Fati”, published as coproduction of the Quest for Wisdom foundation and Garant publishers in 2024. In it are Greg Suffanti’s English, cross-cultural reflections on his watercolour series, that give the reader a surprising route of imagination through the book – together with the visual work of Agnes Roothaan, Louis van Marissing, Annelie van Steenbergen, Caroline Young, Nour Kayali, Klaske Rehorst, Josee Tesser, Elin Maljaars, Marja Plas & Mitra Muijen around the mythic-philosophical themes of Amor Fati!
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